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Reprinted from Review of 'It All Comes Down To A Song' If this album is any indication, David Via & Corn Tornado must put on one heck of an entertaining show. At times, this album reminded me of the Eagles at their very acoustic best; other moments had a breakaway punch reminiscent of a Sam Bush performance. From start to finish, this album sparkles with talent, creativity and production savvy that should be of enormous appeal to baby boomers and those whose musical horizons include innovative originality. Via's prolific pen produced 12 out of 14 songs, the exceptions being ìRed Rocking Chairî and the a cappella 'Whiskey Took My Daddy Away'. Material ranges from the gutsy delivery of 'Corn Liquor' to the sweet lullaby 'Mason's Song.' Harmonies are also Eagles-like - assertive, confident and full of the soaring energy that infused much of the music of the 60's and 70's. Itís not high lonesome, but it is high quality. This band is also loaded with instrumental talent. Dave VanDeventer's fiddle is expressive and emotional, whether it is painting soft strokes ('It All Comes Down To A Song') or kicking up a fuss ('Ainít that the Blues'). Via's mandolin is punchy and full of feeling as on the jazzy instrumental 'For Peteís Sake.' Daniel Knicely's guitar work is crisp and clean with a nice fullness, while John Flower's bass handles everything from bluegrass to blues to jazz with style, grace and a strong yet unobtrusive presence. For banjo enthusiasts, five tracks feature guests Sammy Shelor or Tommy Morse. Lyrically, several songs touch on themes that were beginning to take a back seat to the 90's economic high - paychecks that don't last, selling the farm for taxes, and the worldís violence - ideas that, sadly, are once again foremost in our minds. Enjoy the music, reflect on the lyrics, and remember the name: David Via & Corn Tornado. |